掘头巷原名:Bon Bast,又名Dead-End、بنبست、Deadlock
发布于1977年。由Parviz Sayyad执导,集众多位玛丽·阿皮克、Parviz Bahador、Apik Yousefian、Bahman Zarrinpour等著名实力派明星加盟。并于1977公映的电影。
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Zaggy 🇵🇸
That literal last minute twist changed everything, though I guess knowing the twist we are also able to re-interpret the events preceding that through an entirely different lens, all the while still acknowledging that the film excels in even just as a melancholic comedy, particularly concerning the loneliness of the girl protagonist, which itself rooted from or at least connected to the oppressive social structure in such a painful way that a literal stalker, who would be treated as scary and repulsive as it should be in most other cultures, is turned into a rather twisted love image in the girl's mind. Incredibly sad.
Marutvat
Things base and vile, holding no quantity, Love can transpose to form and dignity. Love looks not with the eyes but with the mind; And therefore is winged Cupid painted blind.
龙舌兰穿堂风
stalker的出现让互相隔绝的不同世界(女主角的内心世界、女主角的家庭、外部世界……)出现了看似兼容的假象,所以尽管前面有更多喜剧的因子,但在本能恐惧的提示下,观众跟女主角的感受会非常错位,我甚至会有一种“这么危险的情况你们怎么还可以说说笑笑”的感觉,像个在银幕外给人物扫兴的存在,而最后一幕反而更像喜剧,但却又真实地被浓黑的阴云笼罩着。 (画面色彩真的很像**70年代的旧照片,那些绿绿的跟最开始的字幕同一个颜色的刮痕 (?) 什么的好看得甚至有点**了。搜了一下才知道“掘头巷”是个粤语的俗语,约等于“死胡同”,但我好像从来没听过这个词……)
Z
#MIFF 布列松布列松布列松希区柯克
海盐棒冰
电影用绝大部分篇幅渲染了一种不安的幻境,女主典雅而脆弱的气质与此相辅相成,最终随着巷口小男孩的哭声随着长镜头逐渐拉远,倏然**,再也看不到尽头,徒留猩红灯光下女主怅然若失的脸。70年代**街头时尚而澄澈,餐厅里甚至还放着当时在**就妇孺皆知的摇滚单曲……P.S:女主的纠结、自卑、焦虑等暗恋时的小情绪和碎碎念虽然终究是wild goose chase,但真实。
unsolicitedmug
trapped not only in the confines of a room but also stuck in the mind of innocence, the protagonist remains sheltered from the outside world. All only ******* to legitimize the fantasy she projects on a stalker-like figure, who she envisions to be her destined lover, which only leads to the decontruction of her own world. Letterboxd怎么可以简介写那么详细,要是没被剧透就更能感受什么叫被电影最后两分钟一整个掀翻
海之歌
已译中字 ps: 要我排**电影十佳的话 这部至少能进前一二的位置
martlet
坐下了才意识到今天原来有主演映后对谈,参加过不少导演qa倒是第一次参加演员qa,而且时隔50年,银幕里还是少女,坐我前排离我仅2米远的是很有活力的老太太,映后尝试对应少女和她的容颜感觉很微妙。我一直都清晰意识到自己对**电影里女性的sexualized gazing,但今天才意识到这似乎是我看的第一部(伪)爱情故事为主体的片子 主演映后谈片中母亲也是她真实母亲,是她艺名的来源;当时***电影节获奖她从苏联回美国后被CIA请喝茶;她和导演认为片中真正的"villain"不是SAVAK的特工而是破坏少女梦的左派**,和只有那个年代**人才能看懂的对**政治派系的暗示;和观众讲SAVAK背后是美国和以色列,而后对谈的****人教授分享他当年被SAVAK请喝茶的经历,还有一大批左派后来去苏联后的幻灭