https://**.ru/video/2922030238394 Sam Mendes had borrowed “an image (and an entire aesthetic of beauty) from Nathaniel Dorsky’s Variations, in which the camera admired a plastic shopping bag being blown about by the wind”. Dorsky remembers receiving a call from someone on the production of American Beauty, asking how Mendes might see the film.
烏鴉
光和阴影和时间的密语 抚平所有的褶皱
虫旁解虫
生活碎片,精妙构图,光与影的盛宴。太美了。
月湖之下
抽象影像和直观的影像穿插的太奇妙,被包裹的安全感和突然的暴露感交替出现,节奏上又如规律的心电图,感觉剪辑是在有意识地训练观众如**稳呼吸,但在红鞋离场后又直*你来一个极限潜水大憋气。观感爽的一*!!!
D
风吹树叶 自成波浪 @2020-05-15 19:39:53
Trillian
Dorsky是无法用某一帧来代表的,所以无论是哪里的截图都不会对味。明暗转瞬,笑语暗去,星光熠熠,这般的美没有偶然,是温柔的心和成年累月在地下室反复翻印的付出。
sjlssbksam
https://**.ru/video/2922030238394 Sam Mendes had borrowed “an image (and an entire aesthetic of beauty) from Nathaniel Dorsky’s Variations, in which the camera admired a plastic shopping bag being blown about by the wind”. Dorsky remembers receiving a call from someone on the production of American Beauty, asking how Mendes might see the film.
垮起**脸
2021.12.18 电子转码的条纹泛在影像的基底,像织物的表面。雌性的摇移,崇高而柔和。想起Deirdre讲Dorsky,讲提灯拂过洞*壁画。